片名:《没有和解》
类型:剧情片
上映时间:1965
上映地区:其它
导演:让-马里·斯特劳布,达尼埃尔·于伊耶
主演:Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,
集数: 更新至0集
语言:其它
没有和解剧情跌宕起伏，场景画面引人入胜，吸引了大批没有和解爱好者的追捧。没有和解的导演让-马里·斯特劳布,达尼埃尔·于伊耶生动展现了一个精彩的故事，没有和解的演员有Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,，通过精湛的演绎和对没有和解的热爱，让没有和解的剧情更加深入人心。没有和解在1965年上映后就热议不断，相信没有和解绝对能给你带来一场不一样的视听盛宴。
没有和解观后点评：没有和解的导演在编剧上绝对是下了大功夫了，没有和解每个场景都堪称完美，没有和解背景音乐恰到好处，实在是1965年一部优秀的剧情片。
没有和解抖音网友点评：没有和解的演员演得实在也太好了，Heinrich,Hargesheimer,Carlheinz,Hargesheimer,Martha,Staendner,达尼埃尔·于伊耶,Henning,Harmssen,Ulrich,Hopmann,Joachim,Weiler,Eva-Maria,Bold,Hiltraud,Wegener,Ulrich,von,Thüna,Ernst,Kutzinski,Karl,Bodenschatz,的每个角色都贴合没有和解的剧情发展，没有和解的演员台词幽默中不乏内涵，没有和解绝对是一部可以拿到高分的电影。
《没有和解》剧情简介：The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.Copyright © 2015-2020 All Rights Reserved
