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片名:《极度恐慌1983》
类型:恐怖片
上映时间:1983
上映地区:西班牙
导演:Jacinto,Molina
主演:Paul,Naschy,Julia,Saly,Lola,Gaos
集数: 更新至0集
语言:其它
极度恐慌1983剧情跌宕起伏，场景画面引人入胜，吸引了大批极度恐慌1983爱好者的追捧。极度恐慌1983的导演Jacinto,Molina生动展现了一个精彩的故事，极度恐慌1983的演员有Paul,Naschy,Julia,Saly,Lola,Gaos，通过精湛的演绎和对极度恐慌1983的热爱，让极度恐慌1983的剧情更加深入人心。极度恐慌1983在1983年上映后就热议不断，相信极度恐慌1983绝对能给你带来一场不一样的视听盛宴。
极度恐慌1983观后点评：极度恐慌1983的导演在编剧上绝对是下了大功夫了，极度恐慌1983每个场景都堪称完美，极度恐慌1983背景音乐恰到好处，实在是1983年一部优秀的恐怖片。
极度恐慌1983抖音网友点评：极度恐慌1983的演员演得实在也太好了，Paul,Naschy,Julia,Saly,Lola,Gaos的每个角色都贴合极度恐慌1983的剧情发展，极度恐慌1983的演员台词幽默中不乏内涵，极度恐慌1983绝对是一部可以拿到高分的电影。
《极度恐慌1983》剧情简介：PANIC BEATS begins with a totally nude woman with welts on her body, running through a misty forest full of decayed skeletons. A knight on horseback is chasing her, and we soon learn that he is Alaric de Marnac (a wicked character Naschy first created for HORROR RISES FROM THE TOMB), viciously killing her for her unfaithful ways. After the credits role, we are taken to the present where a descendent of Marnac named Paul (Naschy) is married to the wealthy Geneviève (Julia Saly) was has some serious heart problems. Paul decides to take her to his ancestral home in the country for some peace and quiet, but the superstitious-filled setting opens a Pandora’s Box of terrible occurrences. We soon discover that Paul is a real son-of-a-bitch who plans to scare his wife to death, planning to control her fortune and continue his secret affair with seductive bad girl Mireille (Silvia Miró), who happens to be the niece of the tarot card-reading housekeeper, Mabile (Lola Gaos). Paul’s malevolent scheme works, but he still has to worry about an additional money-hungry mistress (this guy really gets around!), the unforgiving Mabile, as well as new fianceé Mireille who might be hiding a thing or two herself. More grisly murders follow, and the ghost of Marnac returns from hell to punish the most despicable human character in the film. PANIC BEATS was also written by Naschy (under his real name Jacinto Molina) who injects the film with an old-fashioned spooky house motif, beefed up with a modern movie sense of violence and sexuality. The film offers nothing too innovative storywise, and even Naschy admits on the disc’s extras that it was partly inspired by GASLIGHT and REBECCA, but he seems to just toss in a hodgepodge of exploitation and horror ingredients, while delivering a stylish and enjoyable effort with a number of twists and some genuinely chilling moments. The camera shots and lighting are both effective, and there's even does a cool set-up (much like what Freddie Francis did in THE SKULL and THE CREEPING FLESH) where we see the point of view of Marnac through his dark helmet as he stalks his female prey. Graphically, we are exposed to everything from a plate of bloody eyeballs, to victims being beaten relentlessly with the various Medieval weapons affixed on the house’s walls (for example, someone is axed in the stomach, followed by the soaked entrails oozing out!). Naschy’s most frequent 1980s leading lady, Julia Saly, is not given much to do, but with her offbeat looks, is a nice presence nonetheless. The prominent female star here is Silvia Miró who is seen in the buff frequently, and she certainly makes for some well-appreciated Euro starlet eye candy. Naschy himself is very good in the film, putting on conniving facades, carrying a number of women on a string,Copyright © 2015-2020 All Rights Reserved
